★ Vienna Opera Ball

01重要な理由

Vienna holds several hundred balls between November and Ash Wednesday - the Philharmonic Ball, the Coffee-House Owners' Ball, the Hunters' Ball, the Confectioners' Ball, the university and professional balls - and the Opera Ball is the last and largest of them. Its standing rests on three things: the building, which no other ball can offer; the state's involvement, since the President has traditionally opened it and the Federal Chancellor's patronage goes back to 1935; and the broadcast, which makes it a national event rather than a private one. That last point is the important one for understanding it. This is not a closed occasion: tickets are sold publicly by the opera house, the debutante committee is filled by open audition, and several million people watch it on television. It is also, reliably, politically contested - the Opernballdemo protests along the Ringstrasse have run since 1987 - and the argument about what the evening represents is itself part of the tradition. In our reading, the Opera Ball matters as the most fully public of the world's grand balls, and as the one occasion where a functioning opera house is deliberately taken apart to make a room for dancing.

02前後の週

The Opera Ball closes a season rather than standing alone. From mid-November to Ash Wednesday Vienna runs an almost nightly calendar of balls in the Hofburg, the Musikverein, the Konzerthaus, the Rathaus and the guild halls, most of them open to public ticket sale and many of them cheaper, longer and more enjoyable than the Opera Ball itself. Dancing schools run crash courses in the left-turning Viennese waltz through January for people who have left it late. In the week of the ball, the Staatsoper's repertory is suspended for the conversion, the Ringstrasse around the Opernring is closed to traffic on the night, and police manage both the arrivals and the demonstration. The city is at its winter low season otherwise: the Kunsthistorisches Museum, the Albertina, the Belvedere and the coffee houses are at their least crowded, and the day before a ball is the best possible time to see them. Skiing is three hours west; Salzburg is two and a half by train.

03到着時期

Two nights either side is the sensible shape - arrive on the Wednesday, use Thursday for the museums and for collecting or fitting evening dress, and leave on the Saturday. The ball itself starts at half past eight for a ten o'clock opening and runs to five in the morning, so the following day is a write-off. Anyone attending should be inside the house well before ten: the opening is the point of the evening and the doors to the auditorium are managed once it begins. If you are watching rather than attending, the Opernring in front of the house from eight o'clock is public and free, and the arrivals are the best-known image of the Viennese year.

04宿泊先

The Innere Stadt is the only sensible choice for the ball itself, because you will be walking in evening dress in February and a taxi to the Opernring on that night is slow. The Ringstrasse hotels facing the opera and the Kartnerstrasse are the closest - the Sacher directly behind the house, the Bristol across the Ring - and the streets between the Graben, the Hofburg and Neuer Markt put you five to ten minutes away on foot. The first district is small enough that almost anywhere inside it works. The Museumsquartier and Mariahilf, just outside the Ring, are a short walk and considerably better value with a stronger restaurant and bar scene. Landstrasse around the Belvedere is quiet and residential. Anywhere requiring a tram change is a false economy on ball night.

05アクセスとホスピタリティ

This is a publicly sold ball, and that is its distinguishing feature. The Vienna State Opera sells admission tickets to the general public through its own box office and website, with sales opening in the autumn, and sells boxes and floor tables separately at substantially higher prices; a box or a table is what most groups actually buy, because an admission ticket alone gives you the building and the floor but nowhere to sit. Dinner in the supper rooms is arranged separately. Places in the debutante committee are filled by open audition each winter, with published requirements on age, dancing ability and dress, and the successful couples attend without paying for a ticket. Accreditation for press and broadcast is handled by the opera. No prices are stated in this record: the State Opera's ball pages return HTTP 403 to automated requests and could not be read. Anyone planning to attend should take prices, sale dates and the box allocation directly from the opera's own site, and should be wary of agency packages, which resell at a considerable markup.

06社交活動の場

On the night, the public dimension is the Opernring itself, where a crowd gathers from early evening to watch the arrivals under the arcade, and the Karntner Strasse and Albertinaplatz around it. Inside, the ball's own geography runs from the main floor and the boxes to the Gustav Mahler Hall, the Marmorsaal and the foyers, each with its own band or bar, and to the discotheque that runs in parallel for the small hours. In the days around it, Vienna's public social life is where it always is: the coffee houses - Sacher, Landtmann, Sperl, Central - the wine taverns of Grinzing and Nussdorf on the edge of the city, the bars of the Bermudadreieck and the Freihausviertel, and the standing counters of the Naschmarkt. Anyone in Vienna for the ball weekend without a ticket loses very little.

07アクセス方法

08実用情報

09沿革

Vienna's ball culture dates from the Congress of Vienna in 1814 and 1815, when the diplomatic season and the city's dancing habit fused. The State Opera held its first ball-like soiree in 1877, and masked redoutes were staged in the house through the 1880s and 1890s. After the First World War the balls resumed in 1921 in aid of the theatre pension funds, and the first event actually called the Opernball was held in 1935 under the patronage of the Federal Chancellor. The war and the destruction of the opera house in 1945 interrupted it; the ball returned with the rebuilt house in the postwar era and has been held annually since, cancelled only for national mourning and, in 2021 and 2022, for the pandemic. The debutante committee, the polonaise entry and the call of 'Alles Walzer' are all long-established elements. The ball has changed at the edges: the committee's rules on partners and presentation have relaxed, and in February 2020 the first same-sex couple took part as debutantes.

10参加者

Austrian ball-goers, who form the bulk of the room and for whom this is the last and grandest night of a season they have been dancing all winter; the debutante committee and their families; Austrian political, business and cultural life, since the ball has an official dimension and state patronage; corporate box-holders, many of them Austrian and German companies; and an international contingent, largely German, Italian, Swiss and American, who buy through the opera or through travel agencies. The room is broader and more genuinely Viennese than its reputation suggests, and considerably older on average than the debutantes.