★ ARCOmadrid

01لماذا يهم

ARCO is the oldest of the major continental fairs after Basel and the one with the clearest regional purpose. For Spanish and Portuguese galleries it is the year's principal trading event, and for Latin American galleries the most efficient way to reach European collectors without crossing to Basel or Paris.

Our reading is that its position has weakened commercially and held culturally. The largest international galleries now concentrate on Basel, Paris and the Frieze fairs. What ARCO has instead is a genuinely national audience, a serious institutional programme and a Latin American depth nobody else offers.

02الأسبوع المحيط به

Madrid Art Week wraps several smaller fairs around ARCO. Art Madrid sets up in the Galería de Cristal at the Palacio de Cibeles, and Urvanity, Drawing Room, JustMad and Hybrid occupy hotels and historic buildings across the city, all far easier to reach than IFEMA. The institutions are Madrid's real strength: the Prado, the Reina Sofía and the Thyssen-Bornemisza sit within ten minutes of each other on the Paseo del Arte and all three schedule major exhibitions to the week, with Matadero Madrid, CentroCentro and La Casa Encendida alongside. The commercial galleries cluster on Calle Doctor Fourquet in Lavapiés, behind the Reina Sofía. Early March is low season for tourism, which makes the week comparatively good value.

03موعد الوصول

Wednesday if you have professional accreditation; the first two days are when the trade works. On a general ticket, Friday afternoon or Saturday morning is the moment to go, and Sunday is extremely busy. The fair itself takes half a day. Keep one full day for the Paseo del Arte museums and one evening for the Doctor Fourquet galleries.

04أماكن الإقامة

The centre is where to be, not IFEMA. Salamanca is the most expensive and closest to the Metro line that runs to the fair. The Paseo del Prado and Retiro area puts the three main museums at the door, with the Ritz and the Palace as the familiar reference points. Chueca and Justicia are livelier and full of small hotels; Lavapiés and La Latina are cheaper and closest to the gallery street.

05الوصول والضيافة

IFEMA runs the fair on a professional-first structure: the opening days are restricted to accredited professionals, press and invited collectors, and general admission begins on the Friday afternoon. Tickets for the public days are sold on the ARCO website and at IFEMA, with prices published each year by the organizer and not reproduced here. Professional accreditation is applied for through IFEMA rather than bought. The Reina Sofía, the Prado and the Thyssen all publish free-admission windows worth planning around, and the Doctor Fourquet gallery openings are free.

06مواضع النشاط الاجتماعي

IFEMA has no social life of its own, so the week happens in the city. The evening runs through Chueca and Justicia around the Plaza de Chueca and Calle Barquillo; through Lavapiés and the streets around Doctor Fourquet after the gallery openings; and through La Latina, where the Cava Baja is the densest run of bars in Madrid. Salamanca holds the more formal dinners along Calle Jorge Juan. The terraces of the Círculo de Bellas Artes and the Palacio de Cibeles have the best views over the centre and are open to anyone with the price of a drink.

07كيفية الوصول

08الجوانب العملية

09التاريخ

ARCO was founded in 1982, seven years after the end of the Franco dictatorship, as part of a wider opening of Spanish cultural life, and grew into the country's most visible contemporary art institution. For much of its history it ran a guest-country programme, inviting a national delegation each year, which built its Latin American and later its Asian and African relationships. It is organized by IFEMA MADRID, the city's publicly owned exhibition body, which distinguishes it from the privately held fairs it competes with.

10من يتواجد هناك

Spanish and Portuguese collectors and galleries in the greatest numbers, with the strongest Latin American gallery and collector presence of any European fair; museum and foundation directors from across Spain, where regional public collections are significant buyers; European dealers and advisers; and a very large general Spanish public across the weekend, for whom ARCO is a national cultural event rather than a trade fair.